UNVEILING YOUR WORTH:

In life’s grand theatre, where roles are cast, often everyone wears masks. But authenticity lies beyond the facade, Not in fitting what others want, but in being yourself.

Being authentic isn’t about alpha or beta, It’s about knowing your value, not just data. Your worth isn’t skin-deep, nor mere pretence, It’s the treasure you bring to love’s immense.

Don’t squeeze into boxes, predefined and tight, For beauty, assets, or norms, they aren’t anyone's sole right. Declare your presence boldly, without fear, You’re not an arse to be tossed.

Do you believe in your worth, deep within? Or let doubts erode what’s rightfully akin? That fleeting attraction, seemingly small, Can bloom into significance if you heed its call.

Strength isn’t just a tough exterior shell, Sometimes it’s a softness that weaves the spell. Let things flow, share pieces of your soul, Don’t hoard love; it’s richer when it’s whole.

Beta and alpha are labels and fade like mist at dawn, For everyone stumbles, even the strong. Behind brave faces, we’re all human clay, Yearning for miracles, especially on tough days.

What you see isn’t always the truth displayed, Exteriors are polished, and emotions are sometimes swayed. Peel back layers, see hearts’ raw authenticity, That’s where genuine connections find affinity.

When dealing with love, bring an open mind, Not just to the table, but to hearts intertwined. Authenticity blooms when masks fall away, And worth shines brightest in love’s honest ray.

Comments

Post a Comment

Popular posts from this blog

SCAVENGERS’ ORGY By OZIOMA IZUORA : EXPOSING THE CRAVINGS OF MEN AND THEIR FANTASIES

‘Scavengers’ Orgy,’ explores the role of customs in communities, in range of behaviour from taken for granted traits, deeds and actions; from child bequeathal, marriage, rape to all manners of exploitations and manipulations. Ozioma documents the shenanigans by individuals and organizations as they crisscross Nigeria to Europe and North America; identifying, exposing and amplifying associations and relationships that may not be obvious to casual readers. ‘Eyes glued to the mirror, Beatrice gauges the effect of the clingy black top she has just pulled over her black bra. It hangs over her short jeans skirt, revealing a wee bit of the alluring flesh of her tight abdomen. She screw up her eyes to better appreciate the effect of her apparel on her prospective audience…she is after all, the prize that has attracted all the attention. Normally she does not mind parading herself, a sinecure of inquisitive eyes, but not for these unpolished rural skunks. For three days, she has felt he...
Read more

TENANTS OF THE HOUSE

BY WALE OKEDIRAN The historical real-life tale in the ‘Tenants of the House’ will come alive for all those who were fortunate to witness the shenanigans that went with similar attempt few years back; as in the ‘Tenants of the House,’ there was an impeachment procedure instituted against the Speaker of the House of Representative, spear headed by the president, then there was a successful fight back, but then, this was followed immediately by an attempt to institute constitutional amendment for tenure prolongation through the back door which caused an uproar and,...finally, a counter impeachment procedure instituted by the the two houses against the president. The book’s uncontested star is ofcourse, the president; a Chief Ambrose Oneya, a caricature; sloppy, foul-mouthed chief executive whose only ways to do things was to stampede everyone into doing whatever he wanted done, done his way and who never believed, until he was humiliatingly humbled, that Nigerian and Nigeria as a c...
Read more

WHY WOMEN WON'T GO TO HEAVEN

By DUL JOHNSON 1. I want to start from the very beginning – the opening; What does a reader want in an opening? First is to have the writer introduce the main character(s) and intimate something about the situation she/they are in-i.e the conflict that will provide dramatic twine for the story; (2) to get us interested and involved; and (3) to do it all in a timely fashion, i.e. it stops being an opening as soon as possible and gets on with the story.... ‘WHY WOMEN WON’T MAKE IT TO HEAVEN’ succeeded in doing just that...it introduces us to the characters, showed us where they were, and showed that they’ve gotten concerns or problems. And it does all these in the first page; starting with a long paragraph and quick five short paragraphs. After this, the story is up and running as the conflicts between a husband and his wife, then similar issues between other husbands and their wives escalates with disastrous consequences. The second story is more leisurely, comparably. Reading throug...
Read more