DEATH IS BUT METAPHORICAL

 Like the steel door closed, until all noise are no more

Human, plants, animals, properties, fine or beastly

Like all come to dark when silence reins in; light out

That neither tumbles, lightening, waves, wails nor roars changes

But still, death is nought but metaphorical; a simple symbolism 

Humans come, love and live in a time and space then give

Or plants that grows, serves; consumed or rot to nought

Like breeze that touches passing; sweet but moves on

Like morning turns afternoon then evening that must scheduled

In this fountain called world, we are like but as in willow

Death we call it for convenience stands for taking turns

A placative metaphorical euphemism for moral riddance

Comments

Post a Comment

Popular posts from this blog

ZACK'S STORY

By Abidemi Sanusi ZACK’S STORY is a response to Kemi’s Diary; that is, stories of two narrators in love but unlike in the earlier story where we shared kemi’s diary, here we’re taken on a journey of reflection of the other half- Zack Kariba. Zack gave a testimony of how within two years leading to their ten years anniversary, on where he had been, how he and his fiancée who eventually turns out wife had lived in his one room apartment, his emotional turmoil within the period and an usual discovery of his past. The story is a real, palpable documentation, that streak of actual record. Zack’s character Abidemi Sanusi shows aptly, writes his story in a different style from Kemi - showcasing the typical male orientation and worldview. She writes with the precision of highly literate prose novelist with very well crafted dialoguing. Zack is shown to have the habit of interrupting himself, as if impatient with the fictional convention of telling a story linearly. For instance, let me qu
Read more

TENANTS OF THE HOUSE

BY WALE OKEDIRAN The historical real-life tale in the ‘Tenants of the House’ will come alive for all those who were fortunate to witness the shenanigans that went with similar attempt few years back; as in the ‘Tenants of the House,’ there was an impeachment procedure instituted against the Speaker of the House of Representative, spear headed by the president, then there was a successful fight back, but then, this was followed immediately by an attempt to institute constitutional amendment for tenure prolongation through the back door which caused an uproar and,...finally, a counter impeachment procedure instituted by the the two houses against the president. The book’s uncontested star is ofcourse, the president; a Chief Ambrose Oneya, a caricature; sloppy, foul-mouthed chief executive whose only ways to do things was to stampede everyone into doing whatever he wanted done, done his way and who never believed, until he was humiliatingly humbled, that Nigerian and Nigeria as a c
Read more

WHY WOMEN WON'T GO TO HEAVEN

By DUL JOHNSON 1. I want to start from the very beginning – the opening; What does a reader want in an opening? First is to have the writer introduce the main character(s) and intimate something about the situation she/they are in-i.e the conflict that will provide dramatic twine for the story; (2) to get us interested and involved; and (3) to do it all in a timely fashion, i.e. it stops being an opening as soon as possible and gets on with the story.... ‘WHY WOMEN WON’T MAKE IT TO HEAVEN’ succeeded in doing just that...it introduces us to the characters, showed us where they were, and showed that they’ve gotten concerns or problems. And it does all these in the first page; starting with a long paragraph and quick five short paragraphs. After this, the story is up and running as the conflicts between a husband and his wife, then similar issues between other husbands and their wives escalates with disastrous consequences. The second story is more leisurely, comparably. Reading throug
Read more