I DARE YOU, WOMAN

The natural ontological make of mankind is creativity


Every human aspiring to transform their world

Exploiting, exploring ever new possibilities

Searching for richer, fuller prosperities

To which they can relates and accept

But to which they must be cautious

A task, they must, with care, perform

That is why, woman, you must act, and now, you must



React you must to transform your environment

Tear down the wall, the shackles and cuffs

The manacles, the fangs, the battalions

That is perpetually in wait to keep you caged


Yes you do have your doubts

Yes you do have your hopes

Yes, your seeing of the other side maybe skewed

You seeing only the perception of the limitation of you

Based on your religions, beliefs, laws and all the other baggage and bandages


But must, you must still, everyday and under every circumstances

Strive to use materials at your disposal

To perform, overcome and recreate history

To impel, negate and reorder the present order


Rather than be seen and do remain submerged

In the culture of silence, of see and tell no evil, live and let live

Accepting conscious perception of unreality

Paternalistic submission to god and subject relationship

Remaining the docile pun of the mankind


Dare you, I say, to struggle to become free subjects

To participate in the transformation of your society

To provide the world with insight that is limited by wars and warring

To chart the path of a new world order, new models

New hopes, new face, new response, new consciousness

Encouraging your others to be educated

To become socially, politically, and economically conscientise


But much more, dare you I say to un marginalize you

Dare you to scratch where and when you itch

Dare to be curious, be conscious, to aspire

Dare you avoid being sucked into the pitfall of dehumanization

Dare to emblazon your arrival, to take power and
Unearth appropriate neuter for ‘being’ or rename womankind.

Comments

Post a Comment

Popular posts from this blog

SCAVENGERS’ ORGY By OZIOMA IZUORA : EXPOSING THE CRAVINGS OF MEN AND THEIR FANTASIES

‘Scavengers’ Orgy,’ explores the role of customs in communities, in range of behaviour from taken for granted traits, deeds and actions; from child bequeathal, marriage, rape to all manners of exploitations and manipulations. Ozioma documents the shenanigans by individuals and organizations as they crisscross Nigeria to Europe and North America; identifying, exposing and amplifying associations and relationships that may not be obvious to casual readers. ‘Eyes glued to the mirror, Beatrice gauges the effect of the clingy black top she has just pulled over her black bra. It hangs over her short jeans skirt, revealing a wee bit of the alluring flesh of her tight abdomen. She screw up her eyes to better appreciate the effect of her apparel on her prospective audience…she is after all, the prize that has attracted all the attention. Normally she does not mind parading herself, a sinecure of inquisitive eyes, but not for these unpolished rural skunks. For three days, she has felt he...
Read more

TENANTS OF THE HOUSE

BY WALE OKEDIRAN The historical real-life tale in the ‘Tenants of the House’ will come alive for all those who were fortunate to witness the shenanigans that went with similar attempt few years back; as in the ‘Tenants of the House,’ there was an impeachment procedure instituted against the Speaker of the House of Representative, spear headed by the president, then there was a successful fight back, but then, this was followed immediately by an attempt to institute constitutional amendment for tenure prolongation through the back door which caused an uproar and,...finally, a counter impeachment procedure instituted by the the two houses against the president. The book’s uncontested star is ofcourse, the president; a Chief Ambrose Oneya, a caricature; sloppy, foul-mouthed chief executive whose only ways to do things was to stampede everyone into doing whatever he wanted done, done his way and who never believed, until he was humiliatingly humbled, that Nigerian and Nigeria as a c...
Read more

WHY WOMEN WON'T GO TO HEAVEN

By DUL JOHNSON 1. I want to start from the very beginning – the opening; What does a reader want in an opening? First is to have the writer introduce the main character(s) and intimate something about the situation she/they are in-i.e the conflict that will provide dramatic twine for the story; (2) to get us interested and involved; and (3) to do it all in a timely fashion, i.e. it stops being an opening as soon as possible and gets on with the story.... ‘WHY WOMEN WON’T MAKE IT TO HEAVEN’ succeeded in doing just that...it introduces us to the characters, showed us where they were, and showed that they’ve gotten concerns or problems. And it does all these in the first page; starting with a long paragraph and quick five short paragraphs. After this, the story is up and running as the conflicts between a husband and his wife, then similar issues between other husbands and their wives escalates with disastrous consequences. The second story is more leisurely, comparably. Reading throug...
Read more